Crusy has established himself as one of Spain’s most influential electronic music producers.
Beginning his journey at just 15 years old, Crusy’s passion for electronic music led him to explore production and DJing at an early age, eventually earning the attention of heavyweights like David Penn.
His career breakthrough came in 2022 with the release of his track “SELECTA” on Toolroom Trax, which received support from legends such as Carl Cox and Nic Fanciulli. This momentum continued with further successful releases like “Karma” and collaborations with Mark Knight and Dombresky.
In this exclusive interview, Crusy discusses his love for acid sounds and how he strives to make music that merges underground elements with a more mainstream Tech House-Techno vibe, while keeping his sets dynamic and genre-fluid. He touches on how his collaborations bring fresh energy into the studio and reflects on this latest, Chemical Brothers-inspired banger, ‘Hey Girls, B-Boys’, out now on powerhouse label Toolroom.
“Hey Girls, B-Boys” heavily references The Chemical Brothers’ iconic track “Hey Boy, Hey Girl.” What inspired you to rework such a legendary sample, and how did you approach making it your own?
I’ve always been a fan of acid sounds and wanted to maintain the serious, dark vibe of the original while making it more accessible to a Techno-Tech House audience. My goal was to create a peak-time record for my big stage sets. I really enjoy playing Techno at the end of those sets, and I wanted to make something that stood out and felt like mine.
The track has been described as sitting at the crossroads between underground and accessible music. How do you balance these elements in your production process?
I always try to approach genres in my own way, and in this case, it’s Techno. I really enjoy incorporating more audience-friendly sounds in a Techno-influenced style. I focus on the key elements of the genre I’m working with and then add my own touch to make it original—something I truly love.
Given the peak-time, acid-laced vibe of “Hey Girls, B-Boys,” how do you see this track fitting into your live sets? Does it represent a new direction for your performances?
It’s not really a new direction, as I enjoy playing different music depending on the venue. However, it’s opening new doors for me because it’s a different sound from what I used to make. One of the things I love about DJing is playing a totally different set depending on the situation, and I’ve loved Techno since I was a teenager. I think this track fits those sets perfectly.
Your career has seen a rapid rise, especially since your hit “Selecta.” How has your approach to producing music evolved since then?
I always go into the studio with a plan. I look at the records I play in my sets from other producers and the vibe they create on the dancefloor. Then I head to the studio to make a track that creates the same aura. It’s about making a record on Wednesday that you’re excited to play on Saturday.
You’ve collaborated with some major names in the industry, including HUGEL and Dombresky. What do you look for in a collaborator, and how do these partnerships influence your sound?
It’s mostly about whether our sounds can merge well. One thing I always look for when collaborating is if I’m genuinely excited to work with the other person. Merging that energy into a track is an amazing feeling, and it’s one of the things I love most about collaborating.
With multiple releases on Toolroom, what does being part of the Toolroom family mean to you personally and professionally?
This label changed everything for me. The whole team and all the amazing people who work there are incredible. I have a great connection with them, and I feel blessed to be able to work with them as a team. Years ago, I dreamed of being here, and now I’m incredibly thankful to be part of it.
Reflecting on your journey, what role has the Spanish music scene, particularly in Bilbao and Madrid, played in shaping your style as a DJ and producer?
When I was 15-16, I would go out with my friends to Tech House-Techno clubs like Zul or Sonora, which were very popular in my area. Those genres were huge, and I immediately felt a connection to those early Luciano/Toolroom vibes—that sweet spot between tribal, Tech House, Techno, and electro. It’s something that influenced me forever.
Your music blends various electronic genres. How do you maintain your unique sound while experimenting with different styles?
I try to create genres using my own samples. Every artist is different and selects sounds based on their own taste. When I make music, I instinctively select sounds in my own way. I never follow trends. Instead, I reference the sounds from 2007-2009 that inspired me.
“Hey Girls, B-Boys” has been receiving support from big names like Carl Cox and John Summit. How important is industry support for you, and how does it impact your confidence in a track?
The industry can make or break you, so having their support has had a huge impact on my music, allowing more people to discover my records. Some of the names that inspired me in my early days are now playing my tracks, and I feel incredibly thankful for that.
Looking ahead, what can your fans expect from you in the coming months? Are there any new projects or collaborations you’re particularly excited about?
I’m so excited about the new dates coming up. I’ve been working on a lot of new music lately, covering a wide range of styles. Expect the unexpected—I’ll be mixing genres sooner than you think. Thank you so much for having me, buddies. Best!
Hey Girls, B-Boys is out now on Toolroom
The post “The industry can make or break you” Crusy interview appeared first on Magnetic Magazine.