If you’ve spent any time in the club lately, you’ll know that the lines between tech house, minimal, garage, and straight-up club tools are blurrier than ever. This isn’t a genre locked into one sound or formula—it’s a scene driven by groove, by feel, and by producers who know how to strip things back just enough to make every kick, hat, and bassline count.
This month’s picks reflect that ethos. There are vocal-led rollers from names like CASSIMM and ESSEL, tracks that walk the line between melody and grit, and percussive weapons from newer names like TOBEHONEST and Rob Stillekens. There’s cheeky, sample-heavy heat from Castion and BLOW (ITA), and more shadowy, hypnotic fare courtesy of Ragie Ban & ENNE. Some tracks nod to the past—like Joshwa’s slick Destiny’s Child rework—while others push further into the margins, playing with mood and texture without losing the groove.
These are the 15 Best Tech House Tracks of March 2025.
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CASSIMM , Dark Dhalia – If You Want
CASSIMM and Dark Dhalia link up on “If You Want” for a Toolroom release that’s built to move dancefloors. CASSIMM brings that chunky, no-nonsense groove he’s known for, while Dark Dhalia’s vocals float in with a kind of spaced-out, trippy energy that gives the track a bit of edge. It’s tight, clean, and does exactly what good tech house should—rolls hard without overcomplicating. One of those tracks that slots in perfectly mid-set when you want to keep people locked in but not lose the vibe. Low-key hypnotic, high replay value.
Max Styler – I Know Your Want To
Max Styler’s “I Know You Want To” is a stripped-down tech house gem that knows exactly what it’s doing. The track leans on a thick, rolling bassline and crisp percussion to drive the energy, while the repetitive vocal hook adds just the right amount of attitude. It’s the kind of tune that sneaks up on you—simple on the surface but with a groove that won’t quit. Perfect for those late-night moments when the crowd’s locked in and you need a track to keep them moving without overcomplicating things.
Davide Squillace – Let’s Go Deep (Ragie Ban & ENNE Remix)
Ragie Ban and ENNE (BR) take Davide Squillace’s “Let’s Go Deep” and steer it into shadowy, late-night territory. Their remix strips things back to a taut groove, layering in tightly wound percussion and a prowling low-end that keeps the tension simmering. A warped, ghostly vocal weaves through the mix, adding an unsettling edge without going overboard.
FISHER – Stay
FISHER’s “Stay” taps into a nostalgic vein, reworking Exile’s 1978 hit “Kiss You All Over” into a tech house roller. The familiar hook gets a modern twist with bouncing piano stabs and a groove that’s unmistakably FISHER. It’s a sun-soaked track that feels tailor-made for beachside sessions and festival stages alike. While it doesn’t stray far from his signature sound, “Stay” delivers exactly what fans have come to expect: infectious energy and a hook that’ll stick with you long after the party’s over
Goosey – To The Bass
Goosey’s “To The Bass” is a tech house track that lives up to its name, delivering a bassline that’s both deep and driving. The production is clean and minimalistic, allowing the low-end to take center stage. It’s the kind of track that doesn’t rely on flashy elements but instead focuses on a solid groove to keep the dancefloor moving. Ideal for DJs looking to maintain energy without overwhelming the mix.
PaPii GaVii – Just Blaze
PaPii GaVii’s “Just Blaze” is a tech house heater that blends punchy rap vocals with a groove that’s all about keeping the energy up. The track’s got this infectious rhythm that feels right at home in a peak-time set. It’s no surprise it’s been making waves, even landing a spot on Jacob Colon’s “Made To Move” radio show. If you’re after a track that brings a bit of swagger to the dancefloor, “Just Blaze” delivers in spades.
J. Worra, Hayley May – Can’t Get Enough
J. Worra and Hayley May link up on “Can’t Get Enough” for a heads-down roller with real weight to it. The drums are crisp, the low-end moves with purpose, and Hayley’s vocal adds a smoky, late-night feel without trying too hard to be “big.” It’s moody but not mopey, catchy without tipping into pop. You can tell J. Worra’s refining her palette—this one feels more confident, more dialed-in than some of her earlier stuff.
Joshwa – Say My Name
Joshwa’s “Say My Name” flips Destiny’s Child’s classic into a modern house groove. The track blends nostalgic vocals with a punchy bassline and crisp percussion, creating a fresh yet familiar vibe. It’s got that infectious energy that works just as well in a club as it does on a festival stage. Joshwa manages to pay homage to the original while stamping his own mark on it, making “Say My Name” a standout in recent releases.
Notwins – Bring It
Notwins, the Italian duo, drop “Bring It” on Nervous Records—a punchy track that cuts through with its no-frills groove. The bassline is tight, the percussion crisp, and the vocal snippets add just enough flair without overdoing it. It’s a straightforward, effective tune that fits seamlessly into a set when you need to keep the momentum going. No gimmicks here—just solid production that does the job.
TOBEHONEST – Chicken Bone
TOBEHONEST’s “Chicken Bone” is a quirky, ever-evolving track that keeps you guessing. Released on Collecting Dots Records, it’s packed with playful tones, cascading samples, and hypnotic female vocals that weave through the mix. The production is crisp, with a groove that’s both infectious and unpredictable. It’s the kind of track that adds a splash of color to any set, offering a refreshing departure from more straightforward cuts
Murphy’s Law – Gimme The Cheese
Murphy’s Law comes through with “Gimme The Cheese,” a cheeky, low-end-heavy roller that doesn’t take itself too seriously. The groove is stripped-back but dialed in, with oddball vocal chops that walk the line between playful and weird. It’s one of those tracks that sneaks up on a crowd—just enough personality to stand out, but still super functional. Feels like something you’d reach for to inject a bit of character into a set without killing the flow. Fun, a little unhinged, and weirdly addictive.
DONT BLINK – TAKE ME BACK
Released on AETERNA Records as part of the Spotlight EP Vol. 2, this track showcases their knack for crafting infectious rhythms. The bassline is relentless, paired with crisp percussion that keeps the energy high. Vocal snippets weave through the mix, adding a touch of old-school flavor without feeling dated. It’s a more than solid addition to their catalog.
ESSEL – LOOK BACK
ESSEL’s “Look Back” is a stripped-back heater that hits hard without trying too hard—tight drums, a thick groove, and just enough vocal to keep it hooky. It’s a bit darker than her earlier, more melodic releases, and that’s part of what makes it interesting. The Liverpool-based producer’s been on a serious rise, with Toolroom regularity, Beatport chart-toppers, and support from the likes of Mark Knight and Diplo. “Look Back” feels like another step forward—lean, focused, and built with proper intent.
Rob Stillekens – Hollywood Goods
Rob Stillekens’ “Hollywood Goods,” part of his “Hollywood EP” on LTF Records, is a percussive-driven track that showcases his signature style. The track features a tight, rolling bassline complemented by crisp percussion and subtle vocal snippets, creating an infectious groove. Stillekens’ ability to craft dancefloor-ready tunes has earned him support from notable DJs, including Franky Rizardo. “Hollywood Goods” is a testament to his growing influence in the scene, offering a blend of rhythmic precision and understated energy.
Castion, Blow (ITA) – Temazo
Castion and BLOW (ITA) crank out “Temazo,” a bold, percussive workout that plays with UK rap swagger and chunky, almost garage-influenced low-end. The vocal’s got bite, but it’s the tight arrangement and pacey rhythm section that gives this one legs. It doesn’t overstay its welcome—just kicks in, does its damage, and gets out. There’s a bit of mischief to it too, like it knows exactly how cheeky it’s being. One of those tracks that adds just enough grit to a set without losing the bounce. Feels like it’ll get rinsed all summer.
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