Rick Snoman simply launched his 4th version of his extremely coveted ´Dance Music Manual´. Used all over the world by hundreds of Producers, universities and schools (together with Harvard), this e book distributed by Focal Press & Routledge, one of many highest relating to publishers for instructional sources, covers the whole lot from the best way to create skilled sounding unique tracks and remixes to mixing theories and DJ views.
The Dance Music Manual is a should have for budding or seasoned Producers alike.
The complete handbook covers fundamental DAW principels and methods, music idea, drum association, sequencing, mixing and mastering and the whole lot in between. The e book dives into the nuances of sub-genres and walks you thru the best way to create a signature sound.
We are honored, thatDROP is featured within the Publishing and Promotion part of the handbook for being a number one digital music publication.
Within PR specialist Matt Caldwell´s newly reconditioned chapters you'll be taught important and up-to-date suggestions and tips on Publishing and Promotion for each DJs and Producers. Matt is a really respected supply of data as his profession in Dance Music spans over a decade and has gone on to have his personal PR company the place he offers with prime artists and labels.
Caldwell covers branding and profiling; the place he emphasizes the significance of selecting your DJ moniker, writing an impactful artist bio and the way good press pictures ought to run every social media platform. Matt additionally dives into the best way to write an efficient press launch and what websites to ship them too.
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Bottomline, by selecting up this handbook, you get the chance to select the mind of profitable trade professionals. This ocean of data is priceless as it's going to educate you the best way to focus your time with none wasted effort. Set your music profession up for achievement with the 4th version of the Dance Music Manual.
The Dance Music Manual´s Table of Contents:
Chapter 1:
The Studio Centre Piece
Chapter 2:
The Audio Interface
Chapter three:
Monitors and headphones
Chapter four:
Hearing Protection
Chapter 5:
Frequency and Amplitude
Chapter 6:
Synthesizers
Chapter 7:
FM and wavetables
Chapter eight:
Modular Synthesis
Chapter 9:
The Theory of Sound Design
Chapter 10:
Samplers
Chapter 11:
Compression
Chapter 12:
Processors
Chapter 13:
Effects
Chapter 14:
Mixing Desk Structure
Chapter 15:
Hybrid Studios
Chapter 16:
Fundamentals of Rhythm
Chapter 17:
Kicks and Percussion
Chapter 18:
Drum Loops
Chapter 19:
Fundamentals of Music Theory
Chapter 20:
Harmony
Chapter 21:
Composing and Designing Strings
Chapter 22:
Composing and Designing Leads
Chapter 23:
Composing and Designing Bass
Chapter 24:
Sound Effects
Chapter 25:
Vocals
Chapter 26:
Formal Structure in Dance Music
Chapter 27:
House Music
Chapter 28:
Techno
Chapter 29:
Uplifting Trance
Chapter 30:
Dubstep
Chapter 31:
Chill Out
Chapter 32:
Drum & Bass
Chapter 33:
Dub
Chapter 34:
Mixing Theory
Chapter 35:
Mixing Practice
Chapter 36:
Mastering
Chapter 37:
Publishing and Promotion
Chapter 38:
A DJ’s Perspective
Chapter 39:
Appendix