Dubstep today is WAYYY different than what it was during the EDM explosion in the States throughout the early 2010s, which even then was a massive evolution of its original sound that came out of SouthEast London a decade before the boom of Brostep.
From a technical and musical standpoint, I think bass music is in a great place right now.
Brostep took what was a minimal and quite heady genre, over-compressed it, and made it loud enough for the massive stages that the soon-to-be megastars would be spinning it at. Modern bass music and Dubstep overall are at a perfect midpoint between the two, so curating our monthly charts of the best bass music to be released is so much fun.
While the playlist below is packed with some of the best modern Dubstep and bass music being released this year, let’s use this opportunity to take a walk down memory lane and talk about some of the best dubstep tracks of all time, both from the OG eras of South London and through the Brostep boom that shaped my own career as a producer. I’ll sprinkle in a couple of modern tracks that I think have the potential to be timely.
So follow our playlist for modern heaters before diving into the list of the best dubstep tracks of all time.
Adventure Club – Crave You (Flight Facilities Remix)
Adventure Club’s “Crave You” remix by Flight Facilities stands out in dubstep for its emotive vocals and thick-AF bassline. It captures the early 2010s electronic vibe while keeping the original’s emotional core.
Giselle’s delicate vocals paired with deep drops create a memorable contrast that resonates strongly, evident from its lasting popularity and back in the days when Pandora was the de-facto best way to stream new music it was almost inescapable no matter what “EDM” playlist I can cooking at the time.
While I would argue that the sound isn’t as timeless as some of the other tracks on this list, it definitely earned its placement because of how massive and influential it was when it dropped.
[embed]https://youtube.com/watch?v=QzWLfOF2TMw&si=T0HpuZxIzKBk26Vv[/embed]Bommer & Crowell – Yasuo
“Yasuo” by Bommer and Crowell is a mondo hit in dubstep and riddim. From the “Battle Royale” EP, it became a staple with some of the hardest-hitting drops in the game when it was initially released and its one-of-a-kind sound design that brought patches and synth layers to the track that nobody had ever used before. The track’s minimalist yet heavy beats perfectly capture the energy of riddim.
Even years later, it still packs a punch, with countless remixes keeping it fresh.
[embed]https://youtube.com/watch?v=fP2O6JcnJJI&si=7NdwGTaZyUiFKX4W[/embed]Benga – E Trips
“E-Trips” by Benga is a cornerstone of early dubstep. Released when the genre was still in its infancy, this track embodies the minimalistic energy that defined dubstep’s initial days. Benga’s deep basslines and tight rhythms showcase his knack for creating intense, hypnotic vibes. Listening to it now, it’s a blast from the past, taking me right back to when dubstep was just starting to make waves.
“E-Trips” is still a dope banger even by today’s standards, proving Benga’s influence on the genre and how his innovative approach helped shape dubstep’s foundation.
[embed]https://youtube.com/watch?v=wRSi_RabPaU&si=RtLaVFvs7UXehQF3[/embed]Benga & Coki – Night
Benga and Coki’s “Night” is often regarded as a defining track of dubstep, capturing the energy that made the genre in its early days. Benga, a pioneer of dubstep, collaborated with Coki to create a minimal and punchy track. For many, “Night” served as an introduction to the genre and remains a favorite for those seeking to experience the roots of dubstep.
What makes “Night” special is its lasting draw. Fans return to it years later, and it is easy to understand why.
[embed]https://youtube.com/watch?v=rNStVlJWy88&si=pgZNLZ7DXLV0-Fjs[/embed]Benny Benassi ft. Gary Go – Cinema (Skrillex Remix)
Released in 2011, this remix was vital in bringing dubstep into the mainstream. Skrillex, already gaining recognition in the electronic music scene, solidified his status with this work. The remix quickly became emblematic of the era, serving as an entry point for many into electronic music.
The remix earned Skrillex a Grammy Award for Best Remixed Recording, Non-Classical, highlighting its importance in the industry.
[embed]https://youtube.com/watch?v=Cw0nkxFhpoM&si=xmyHdbpUB_HdOFBO[/embed]Borgore – Money
Before entering the electronic scene, Borgore began as a drummer in a death metal band, and that influence is evident in his initial work. You can hear it in the aggressive, almost confrontational nature of “Money.”
Over the years, Borgore’s sound has evolved, but tracks like “Money” remind me of when he was still establishing his place in the scene. He was one of the pioneers who blended heavy metal elements with electronic music, creating a unique style.
He has transitioned from a niche artist to someone recognized on major platforms, even making Forbes’ list of influential figures. “Money” is a snapshot of that OG era— unfiltered and unapologetic.
[embed]https://youtube.com/watch?v=2F-KkI5AY_Q&si=cCsdy7VELslUYPFT[/embed]Rusko – Cockney Thug (Caspa Remix)
Rusko, a key figure in shaping dubstep, introduced a distinctive sound. Before this track, dubstep was largely in the background, but songs like “Cockney Thug” brought it into the limelight. The inclusion of the vocal sample from the Armando Iannucci Shows adds a layer of British grit, giving the track its edge that just drips with South London swag.
Caspa, another prominent artist in the scene, took Rusko’s original and enhanced it. The remix not only builds on the track but transforms it. The bass hits harder, the energy is heightened, and it is clear why this remix has become a classic.
[embed]https://youtube.com/watch?v=M2WuAPfaapY&si=v5s-vxYlK30zYXL9[/embed]Chase & Status – Running
Chase & Status, mondo figures in the UK electronic music scene, delivered something exceptional with “Running.”
The track’s lasting appeal comes from its timeless vibe. Whether it’s the deep bass that smashes on a dope-ass sound system or the overall energy it exudes, “Running” works its way into your mind and doesn’t leave.
[embed]https://youtube.com/watch?v=qrolbObOknI&si=4btSSImRE4HF5MTU[/embed]Coki – Goblin
Listening to Coki’s “Goblin” is like experiencing a sonic wrecking ball—intense, unrelenting, and undeniable. This track is one of the grimiest examples of OG dubstep, a genre still in its experimental phase when Coki, along with pioneers like Mala, Loefah, and Skream, was pushing boundaries in South London.
The bass in “Goblin” feels almost alive, as if it is trying to escape the speakers and consume everything in its path. For me, “Goblin” embodies the dark, underground soul of dubstep at its peak—when the genre focused less on mainstream appeal and more on challenging the status quo.
[embed]https://youtube.com/watch?v=Hd3s_jubB_s&si=UNpo4kyNAUr3iMfn[/embed]D-Jahsta – Life’s a Bitch
D-Jahsta’s “Life’s A Bitch” has a bass that is on of the most knocking ones I’ve heard—thick, wobbly, and almost tangible. It shakes you to your core, and D-Jahsta maintains the intensity throughout.
Released on Firepower Records, “Life’s A Bitch” distinguished itself even among a catalog known for its heavy hitters.
Even now, a decade after its release, “Life’s A Bitch” endures. It is a track that defines an era, and each time I listen, I am reminded of D-Jahsta’s significant influence in the scene. This one is a classic—brutal, unrelenting, and massive.
[embed]https://youtube.com/watch?v=Jm_CcELuX6Q&si=eg571S6_F-__Fg4z[/embed]Delta Heavy – Get By
Delta Heavy’s skill in blending aggressive basslines with intricate melodies is evident in “Get By,” making it a track that still feels fresh years later. The video adds depth, evoking the bittersweet emotions of growing up and leaving childhood behind.
Even today, “Get By” is regarded as one of the biggest bangers in Delta Heavy’s catalog and exemplifies how creativity in music can extend beyond sound.
[embed]https://youtube.com/watch?v=8cOt9UcYGOU&si=KZlkwsLYaOo0u_Ns[/embed]Digital Mystikz – AntiWar Dub
“Anti War Dub” by Digital Mystikz is a timeless track that has become a defining piece in the dubstep genre. I
Released by the influential DMZ label, “Anti War Dub” captures the emotion that Digital Mystikz—composed of Mala and Coki—infused into their music. The track’s minimalist yet tight arrangements highlights the roots of dubstep, emphasizing space, bass, and message. Even years after its release, “Anti War Dub” reminds of the genre’s ability to convey deep, socially conscious themes through music.
[embed]https://youtube.com/watch?v=G9H3i0T1iN4&si=wI7zTBjet4_JfgpU[/embed]DJ Fresh – Gold Dust
Released during a peak period for UK electronic music, “Gold Dust” showcases DJ Fresh’s talent for blending high-energy beats with catchy, anthemic hooks. As a founding member of the influential drum and bass group Bad Company, DJ Fresh applied his expertise in creating basslines and intricate percs to this track, establishing it as an instant classic.
The music video, featuring vibrant double Dutch jump rope scenes, captures the track’s infectious energy and sense of community. Unsurprisingly, even more than a decade later, “Gold Dust” continues to resonate with listeners.
[embed]https://youtube.com/watch?v=RNuUgbUzM8U&si=aW_AyKJAXCFeyYSw[/embed]Dion Timmer, Excision – Time Stood Still
“Time Stood Still” by Excision and Dion Timmer showcases the evolving nature of modern dubstep while honoring its roots.
Excision’s impact on the scene is clear, with a career spanning over a decade, including establishing the Rottun Recordings label, which has become a key platform for bass-heavy electronic music.
A Dutch producer, Dion Timmer collaborated with Excision to create this powerful track.
Time Stood Still, featured on their collaborative Breaking Through EP, seamlessly blends these elements, merging Excision’s production’s power with Timmer’s melodic, emotional touch.
[embed]https://youtube.com/watch?v=NUZipkPbSbU&si=XBHLhQTj4RdnawV-[/embed]Emalkay – When I Look at You
Released in 2009, this track quickly became a defining set piece of bass music culture, particularly within the UK scene. Emalkay, whose real name is Martin Knowles, is a British electronic music producer known for his innovative approach to bass music. He emerged from Birmingham’s underground scene and was a key figure in shaping the darker, more brooding style of dubstep prevalent during this period.
This track gained widespread recognition after being featured in Caspa’s Essential Mix, which significantly brought dubstep to a broader audience.
[embed]https://youtube.com/watch?v=_mwL6R-Z1e4&si=P7sLsVh0i2ydfW7C[/embed]Excision & Downlink – Existence VIP
Excision, whose real name is Jeff Abel, hails from Kelowna, British Columbia, and has been a significant force in the bass music scene since the late 2000s. Known for his heavy, aggressive style, Excision has been credited with helping to popularize dubstep in North America, particularly through his high-energy live performances and the creation of events like Lost Lands Festival.
His collaborations with fellow Canadian producer Downlink, including “Existence VIP,” have been critical in shaping the modern dubstep sound. It remains a classic in the genre, often referenced for its guidance on the growth of dubstep and its influence on the bass music scene.
[embed]https://youtube.com/watch?v=-u0t8ZIlwuQ&si=Fm696z0cfEPRPMJq[/embed]Excision & Space Laces – Throwin’ Elbows
“Throwin’ Elbows” by Excision and Space Laces is a powerful collaboration that showcases both artists’ intensity and aggression to the dubstep genre. The track was featured on Excision’s “Virus” album, strengthening his reputation as a leading figure in the dubstep scene.
Space Laces, whose real name is Ian Slider, is also a well-respected producer in the electronic music community. His collaborations with Excision, including “Throwin’ Elbows,” have been pivotal in shaping the modern dubstep sound. He blends elements of metal, electronic, and bass music to create tracks that are both aggressive and highly energetic.
[embed]https://youtube.com/watch?v=BS87krWeYpA&si=tCJ7F2OySVoXxihI[/embed]Flux Pavilion – Bass Cannon
Released in 2011 under Circus Records, a label co-founded by Flux Pavilion and Doctor P, the track quickly became a staple in the dubstep community and beyond. Known for its heavy bass drops and iconic “Bass Cannon” vocal sample, the track is a prime example of the aggressive yet melodic style that characterized the early 2010s dubstep sound.
Flux Pavilion, born Joshua Steele, is a British electronic music producer, DJ, and singer-songwriter. He gained widespread recognition with tracks like “I Can’t Stop” and “Bass Cannon,” both of which contributed to the mainstream popularity of dubstep.
[embed]https://youtube.com/watch?v=h3cE9iXIx9c&si=c6P0EWBqlRZiiJ_R[/embed]Flux Pavilion – I Can’t Stop
“I Can’t Stop” by Flux Pavilion is a timeless banger of a track and was a staple of Flux’s sets throughout my earliest days of being obsessed with dance music. Hearing him drop it at Paradiso at The Gorge was absolutely mental.
The song, which features the signature heavy bass and catchy melody that Flux Pavilion is known for, became an anthem of the dubstep movement in the early 2010s. Its influence was widespread, with the track dominating electronic music scenes and crossing over into mainstream media, including appearances in video games, commercials, and films.
[embed]https://youtube.com/watch?v=3Q9rewnLFYw&si=Ym50_nriHMCYiYLC[/embed]Funtcase – 4 Barz of Fury (Barely Alive Remix)
When I first heard “4 Barz Of Fury,” especially this Barely Alive remix, it hit me like a ton of bricks.
Funtcase, known for his aggressive style, has always been one of those producers who knows how to bring the heat. The man behind the mask, James Hazell has made a name for himself in the dubstep scene, particularly with his work under Circus Records. His tracks are intense, with an unmistakable signature sound. And when Barely Alive, the duo of Matt Meier and Willie Watkins, took on this remix, they brought their own twist—crisp production, earth-shattering drops, and that energy that makes you feel barely alive after listening.
[embed]https://youtube.com/watch?v=FhHsdZjeo3o&si=pNI2jf1zjuG0pmmj[/embed]G Jones – In Your Head (RL Grime Edit)
When I first heard RL Grime’s edit of “In Your Head” by G Jones, it immediately hit me with a wave of intensity that I wasn’t fully prepared for. G Jones, known for his innovative approach to bass music, originally crafted “In Your Head” with a mind-bending blend of trap and experimental electronica.
But then RL Grime, one of the biggest names in the trap scene, took it and increased the energy. RL Grime, also known as Henry Steinway, has a reputation for turning tracks into absolute monsters on the dance floor, and his edit of “In Your Head” is no exception. The drop in this edit is one of those moments that just floors you—literally like somebody crushed your bones.
[embed]https://youtube.com/watch?v=dZ1v2DKkBHo&si=bMwtmx1xbhw-aam7[/embed]Ganja White Night – Wobble Master
When I first watched the music video for “Wobble Master” by Ganja White Night, I was blown away by the combination of sound and visuals. This track perfectly encapsulates what drew me into dubstep in the first place—the deep, wobbling basslines and the dark, almost mystical atmosphere that Ganja White Night is known for. The video, animated by the Belgian street artist Ebo, adds depth to the experience.
Ganja White Night, the Belgian duo consisting of Benjamin “Bamby” Bayeul and Charlie “Erwan” Dodson, has been a major influence in the dubstep scene for years.
[embed]https://youtube.com/watch?v=y7jxmk-ib78&si=i4zNOGZja2pN5Y33[/embed]Geoxor – Moonlight
Listening to “Moonlight” by Geoxor feels like an emotional rollercoaster that I can’t get enough of. The track starts with such a calming and peaceful melody that letting your guard down is easy. But just when you think you’ve settled into a tranquil vibe, the drop comes out of nowhere and hits you like a ton of bricks.
Geoxor, a well-known name in the electronic music scene, can blend soothing melodies with hard-hitting drops. His tracks often explore contrasting moods within the same song, and “Moonlight” is a prime example.
[embed]https://youtube.com/watch?v=2cWu_ow99Wk&si=qkzKSc4mc1jnFjSA[/embed]Jessica Audiffred – Maximum Bass
Jessica Audiffred is one of the best female producers in the scene. She’s been gaining recognition for her style, which blends elements of dubstep, trap, and bass music. Her ability to bang out heavy and infectious tracks has earned her a loyal following. “Maximum Bass” is a perfect example of her skill in crafting hard-hitting beats that don’t just get you moving—they completely take over your senses.
The power in “Maximum Bass” is relentless, and it’s easy to see why so many fans are drawn to Jessica’s music. The track’s aggressive basslines and sharp, punchy drops make it a must-have in any bass lover’s playlist. It’s the kind of track that makes you want to hit repeat, just to feel that rush repeatedly.
[embed]https://youtube.com/watch?v=88cS-ts6clc&si=LCHgLypToChjN8Iw[/embed]Jakes – Custard Cream
Jakes, a big time face in the Bristol scene, has always been known for his heavy, bass-ripping sound. His influence in shaping the sound of dubstep in its formative years is undeniable, and “Custard Cream” is a perfect example of why he’s so highly regarded. You can hear the classic elements of dubstep in this track—particularly the heavy use of bass and the distinctive hi-hats that many listeners associate with artists like Skream.
“Custard Cream” may not have the widespread recognition of some other tracks from that era, but for those who know, it’s a gem.
[embed]https://youtube.com/watch?v=tQPAF5J6SUA&si=oPvVn5uT0x0YmIVD[/embed]Joy Orbison – Hyph Mngo
Joy Orbison, born Joseph Orbison, has a style that often blends elements from various genres, including house, techno, and dubstep. I will be the first to admit that this track is probably the least “dubsteppy” track on this list, but the tempo and drum patterns fit enough within the genre to warrant its inclusion and I just love this track too much not to give it a shoutout.
[embed]https://youtube.com/watch?v=vsJVW5apRmY&si=8Sm25tTjMDHxvCxe[/embed]Kode9 – 9 Samuari
The track’s combination of dark, futuristic tones and Spaceape’s vocal style made it a standout in the dubstep scene. It’s the kind of song that, even now, makes me pause and listen closely, as if discovering it anew every time.
Kode9, whose real name is Steve Goodman, is a pivotal figure in the dubstep genre. As a co-founder of the influential Hyperdub label, he has been instrumental in shaping the sound and direction of electronic music. His work, including “9 Samurai,” often features innovative use of bass and experimental sound design. Spaceape, the collaborative partner on this track, was known for his distinct vocal style and his role in bringing a more lyrical and poetic dimension to dubstep.
[embed]https://youtube.com/watch?v=WaU-pnassYM&si=81scEXWlQb2nF_2c[/embed]Knife Party – Bonfire
Knife Party, the electronic duo composed of Rob Swire and Gareth McGrillen, is well-known for its high-energy tracks and influential role in the dubstep and electro-house scenes. Formed after the break-up of their previous band, Pendulum, Knife Party quickly made a name for themselves with their intense sound and catchy hooks. “Bonfire” is a key track from their debut EP, “100% No Modern Talking,” released in 2012 (any other producer out there remember how popular the ‘modern talking’ wavetable was on massive back then?!)
The track’s high-vibe beats and distinctive sound continue to be a reminder of why I fell in love with this genre, and “Bonfire” will always hold a special place in my collection.
[embed]https://youtube.com/watch?v=e-IWRmpefzE&si=5vUBrSDqNjojT3QW[/embed]Kromestar – Jabber Jawz
Kromestar, whose real name is Ben Kromstar, is a prominent figure in the dubstep genre and gained recognition with tracks that feature intricate basslines and a rhythmic approach. “Jabber Jawz,” released on
“Jabber Jawz” resonates with me due to its distinctive style and the way it hits the core of what old school dubstep could do and what OG producers could do in the studio.
Magnetic Man – I Need Air
I remember the first time I heard it—feeling the track’s deep-seeded sub bass and intricate percussions fill the room. The vibe was palpable, and the track’s signature build-ups and drops became a defining feature of my CDs and mixtapes throughout that period.
Magnetic Man, composed of Skream, Benga, and Artwork, emerged as a key player in the dubstep scene. According to their Wikipedia page, the group was instrumental in popularizing dubstep with their distinctive sound that blended deep bass with rhythmic complexity.
[embed]https://youtube.com/watch?v=H8Id5jMKQh0&si=e1OV3TQwEvj_u0Cq[/embed]Marauda & Scarlxrd – Heave
MARAUDA, also known as the Australian producer and DJ, is recognized for his avante-gard approach to dubstep, combining heavy bass with intricate sound design. SCARLXRD, a British rapper known for his blend of trap and metal influences, adds a gritty edge to the track.
“Heave” strikes a personal chord with me due to its sheer force and unpredictability. Each drop feels like a new assault on the senses, making it a track that demands attention. It evokes a sense of adrenaline and excitement, making it a standout piece in both artists’ discographies.
[embed]https://youtube.com/watch?v=tNi27Egy--I&si=i2NEg9M2R6JJy130[/embed]Modestep – Sunlight
Modestep, a British electronic music band formed in 2010, gained fame with their blend of dubstep, rock, and other electronic genres. Their debut single, “Feel Good,” was well-received, and “Sunlight” was a notable hit, reinforcing their presence in the electronic music world. Their music often features high-energy percussion and dynamic production, which is evident in this track.
“Sunlight” holds a special place in my music collection. It reminds me of a time when dubstep was at its peak and rapidly evolving. Listening to it, I feel a mix of nostalgia and appreciation for the times when dubstep was fresh and exciting.
[embed]https://youtube.com/watch?v=Bparw9Jo3dk&si=gEnGrtP2X8lfpxob[/embed]Mt. Eden – Sierra Leone
Mt Eden, the duo behind this track, consists of Eden and Josh, who emerged from New Zealand. Known for their contributions to the dubstep genre, Mt Eden’s style combines melodic elements with heavy basslines. Their 2010 hit “Sierra Leone” is a prime example of their ability to blend emotive melodies with the signature dubstep wobble, earning them recognition in the electronic music scene.
The track has become iconic within the genre, showcasing their influence on the evolution of dubstep.
[embed]https://youtube.com/watch?v=T3yPyc5ZdNs&si=W57vrz8S5IlHVkSq[/embed]Must Die! – Bliss 2K
MUST DIE!, the alias of the American producer and DJ Joshua G. Meyer, has made a mark in the dubstep and electronic music scenes. Known for his distinctive fusion of dubstep with elements of other genres like hardstyle and metal, MUST DIE! has developed a reputation for pushing the boundaries of traditional dubstep. His career includes notable releases on influential labels such as Never Say Die and collaborations with artists like Zomboy and Skrillex.
“Bliss 2K” is a prime example of his innovative approach, showcasing his ability to blend intense sound design with high-tempo percs.
[embed]https://youtube.com/watch?v=maZ9XQe4c-E&si=tA7tBSRSdX56fpFy[/embed]NERO – Doomsday
Nero, consisting of Daniel Stephens, Joe Ray, and vocalist Alana Watson, has shaped the genre. Their debut album, Welcome Reality, released in 2011, features “Doomsday” and established them as key figures in the scene.
The track’s combination of bass and cinematic flair exemplifies their innovative approach and solidifies their place in the electronic music world. I literally can’t even remember how many times I’ve heard these guys (and girl) drop this song in a live set during my very formative years as a DJ and producer, making this track not only a masterclass in production but also completely engrained in my musical psyche.
[embed]https://youtube.com/watch?v=DzyKSyLavUY&si=vwZE50YTT6YgXHKA[/embed]NERO – Promises
Formed in 2000, Nero rose to fame with their debut album, which we just talked about. However, more details should be broken down here since they really are, or at least were, a powerhouse in bass music at the time. “Promises,” a standout track from this album, showcases their signature blend of dubstep and cinematic sounds. Their style has earned them acclaim and established them as key figures in electronic music.
The success of this track was supported by some blockbuster remixes, which further helped expose the track to new fanbases and draw more attention to the original release. This song was everywhere when It was released and stayed a part of the culture for years after its release (which isn’t too familiar these days when the shelflife of music seems to be a week or less)
[embed]https://youtube.com/watch?v=llDikI2hTtk&si=NetuD5tPdjad5qxV[/embed]Pegboard Nerds & MorePlastic – Wots
Pegboard Nerds, a duo from Denmark and Norway, is known for their energetic blend of dubstep and other electronic genres. They’ve built a reputation for their dynamic tracks and high-quality production. More Plastic, an electronic artist with a knack for incorporating various styles into his work, complements the duo’s style perfectly.
This track hits a personal note due to its infectious vibe and nostalgic nods to classic video game music. The melody, reminiscent of old-school game themes, combined with the modern dubstep elements, makes it slap time after time.
[embed]https://youtube.com/watch?v=KwzAyqV3__w&si=qbI5SSRAhdL5nEEF[/embed]Ponicz – The Record Shop VIP
The Record Shop (VIP)” fits seamlessly into Ponicz’s discography, showcasing his knack for crafting tracks that push boundaries while maintaining a signature sound.
This track resonates deeply with me because it captures the essence of what drew me to dubstep in the first place. The vibe and the clever use of bass make it a standout in Ponicz’s catalog. It’s a track that reminds me of late nights spent exploring new music and the thrill of discovering something that truly hits hard. The VIP version takes the original to new heights, making it even more memorable and timeless (and of course…dope).
Rusko – Woo Boost
Rusko, born Christopher Mercer, is widely regarded as one of the pioneers of the dubstep genre. His background in music production, coupled with his distinctive sound, has made him a key figure in shaping the genre’s evolution. “Woo Boost,” released in 2010, is one of the tracks that solidified his status as a trailblazer in the scene.
In conclusion, “Woo Boost” is a snapshot of a pivotal era in electronic music. Rusko’s innovative production techniques and infectious vibe helped shape the sound of modern dubstep, making “Woo Boost” a track that will always be remembered as one of the genre’s most iconic anthems.
[embed]https://youtube.com/watch?v=WtMlB-BEMso&si=g-0-BI7v4Rkc3vED[/embed]SKisM – Experts
SKisM, Tommy Dash’s brainchild, is a prominent figure in the dubstep world known for his hard-hitting, aggressive style. As a co-founder of the label Never Say Die, SKisM has played a role in shaping the modern dubstep sound, nurturing talents like Zomboy and Must Die! “Experts,” released in 2012, stands out in his discography as a defining moment for both his career and the genre.
The track’s intricate production and explosive power showcases SKisM’s ability to push the boundaries of dubstep, creating a piece that’s as technically impressive as it is viscerally thrilling.
[embed]https://youtube.com/watch?v=ouyC28ffPjQ&si=AwRS87J4_19nC2kr[/embed]Skream – Midnight Request Line
Skream, born Oliver Jones, is often credited as one of the founding figures of dubstep. Emerging from Croydon, London, he was instrumental in shaping the OG sound of the genre, with “Midnight Request Line” being one of his most iconic contributions. R
eleased in 2005, this track was a game-changer, marking a pivotal moment in his career and the dubstep movement. Skream’s ability to blend sparse, stripped-down beats with a deep, menacing bassline set the stage for what dubstep would evolve into. His debut album, “Skream!,” where this track is featured, is often considered a top-form showcase of the genre, highlighting his role in bringing dubstep from the underground into the wider electronic music scene.
[embed]https://youtube.com/watch?v=lcMAbnZy8l8&si=rXPwAMK33iq_SNNg[/embed]Skream – Rutten
“Rutten” resonates with me because it is a masterclass in the ethos of what brought me to dubstep in the first place. It’s not just about the drop or the bass; it’s about the mood it creates and how it covers you in its sound. The use of flute and other organic elements gives the track a timeless quality, making it feel as fresh today as when I first heard it.
For me, “Rutten” reminds me of the creativity and artistry that characterized the original dubstep scene, a period I look back on with face-melting fondness.
[embed]https://youtube.com/watch?v=KOttZSnzG7s&si=ZKScnjWcIwv1CfY-[/embed]Skrillex – Scary Monsters & Nice Sprites
Skrillex, born Sonny Moore, was already known in the music scene as the former lead singer of the post-hardcore band From First to Last, but his transition to electronic music marked a turning point in his career. “Scary Monsters and Nice Sprites” was the title track of his second EP, released in 2010, and it played a role in catapulting him to international fame. The EP won multiple awards, including a Grammy for Best Dance/Electronica Album, solidifying Skrillex’s place as a leading figure in the electronic music scene.
Personally, “Scary Monsters and Nice Sprites” resonates with me as the track that opened the door to a whole new world of music. It was a time when electronic music began dominating culture, and this song was the anthem of that movement. When I heard it, it caused me to google, “What DAW does Skrillex use?” I switched from Reason to Ableton that very day, and I haven’t looked back for over a decade.
[embed]https://youtube.com/watch?v=WSeNSzJ2-Jw&si=iPPRbLltRefnYVtn[/embed]Space Laces – Digital Gangsta
For me, “Digital Gangsta” is more than just a track; it’s a reminder of the creativity and innovation that defined dubstep at its peak. Space Laces’s combination of complex rhythms with bone-crushing basslines resonates with me on a deep level, bringing back memories of the countless times I’ve revisited this track.
It stands out not just in his catalog but also in the broader landscape of electronic music as a testament to what can be achieved with dedication to craft.
[embed]https://youtube.com/watch?v=CoBJovzOJ5U&si=XMLC4rsmNe1bRHgp[/embed]SVDDEN DEATH – Behemoth
SVDDEN DEATH, born Danny Howland, has made a name for himself in the dubstep scene with his dark, aggressive style. “Behemoth” is a track from his “VOYD Vol. 1” project, which showcases his signature sound—a fusion of heavy basslines, eerie melodies, and complex rhythms.
“Behemoth” resonates with me because it encapsulates everything I love about dubstep: the power, vibe, and emotion.
[embed]https://youtube.com/watch?v=mJBhjNR7WBc&si=2K3NYUDTDXsLfo5V[/embed]The Prodigy – Oman (Mt. Eden Remix)
The blend of Prodigy’s high-angsty aggression with Mt Eden’s deep bass and atmospheric drops hooked me from the first listen. I still remember being at a party, hearing this track for the first time, and feeling the momentum shift in the room; so many damn good memories during this era in dance music… I miss them.
Personally, this track stands out because it captures the soul of what made Naissant dubstep so captivating—the perfect mix of rhythm, bass, and emotion. It’s one of those songs that still gives me chills, no matter how much time passes. I’ve played it countless times, and it always takes me back to those carefree days of gaming marathons and late-night drives.
[embed]https://youtube.com/watch?v=_Pyn87oJIlg&si=_og8U_NLDHl0_WW4[/embed]Virtual Riot – Degenerates
Virtual Riot, whose real name is Valentin Brunn, is a German DJ and producer who has made a name for himself in the bass music scene.
The multiple drops, each more intense than the last, keep you on your toes, making every listen feel like a new experience. “Degenerates” is a perfect example of why Virtual Riot has remained a dominant force in the dubstep scene. Even years after its release, “Degenerates” continues to be a track that I return to when I want to feel that vibe that only Virtual Riot can deliver. It’s more than just a song—it’s a reminder of why I love this genre.
[embed]https://youtube.com/watch?v=7S9S3UbtIVM&si=n7NGlFNnV6ld2B8E[/embed]Blue Foundation – Eyes On Fire (Zeds Dead Remix)
Zeds Dead, a Canadian electronic music duo consisting of Dylan Mamid (DC) and Zachary Rapp-Rovan (Hooks), has been a force in the dubstep scene since its formation in 2009. This remix, released in 2009, became one of their breakout tracks, showcasing their ability to transform a chill, atmospheric song into a bass-driven anthem that resonated with the dubstep community.
For Zeds Dead, it was a pivotal moment that helped cement their place in the electronic music scene. For me, it’s a nostalgic reminder of a time when music felt raw and new, and when a single song could define an entire era. This track remains a staple in my playlist, a timeless piece that never loses its punch.
Massive Attack – Paradise Circus (Zeds Dead Remix)
The way Zeds Dead took the haunting, almost ethereal quality of Massive Attack’s original track and infused it with a deep, gritty bassline left a lasting impression on me. That immediate bass drop, in particular, was something I always looked forward to, a moment that made every listen feel like the first time.
This remix of “Paradise Circus” came at a time when they were cementing their reputation, showcasing their unique ability to reimagine tracks while retaining the soul of the original.
[embed]https://youtube.com/watch?v=IUGzY-ihqWc&si=hmGGASFKEw1yaQmk[/embed]Zomboy – Like a Bitch
Zomboy, born Joshua Mellody, is a British electronic music producer and DJ who has been a figure in the dubstep scene since his debut in 2011. Like A Bitch,” released in 2016 as part of his “Neon Grave” EP, is a prime example of his signature style—hard-hitting, unapologetic, and designed to get a crowd moving (insert “it gets the people going!!” sound bite).
[embed]https://youtube.com/watch?v=kod5PkTm_ts&si=KfMHhjtofL8cZEQs[/embed]Zomboy – Airborne (MUST DIE! Remix)
Zomboy, whose real name is Joshua Mellody, is a British electronic music producer and DJ known for his contributions to the dubstep genre. Since his debut in 2011, Zomboy has become one of the most influential figures in the scene, known for his high-energy tracks that seamlessly blend dubstep with elements of electro-house and drumstep.
This remix by MUST DIE!, an American electronic music producer known for his aggressive and bass-heavy style, takes the original track to a whole new level, emphasizing the raw power that both artists are known for. The collaboration between Zomboy and MUST DIE! on this track highlights their ability to create something that is both brutal and intricately designed, making it a standout in their discographies.
[embed]https://youtube.com/watch?v=r7DjTdKizs4&si=B2NlcOFxJeJ7dmcC[/embed] sThe post The Best Dubstep Tracks Of All Time: The Top 51 Heaters and Rollers I Think Defined Bass Music appeared first on Magnetic Magazine.