Since the release his debut album in 2012, Canadian producer has been captivating listeners with his unique ambient style.
Tor’s music incorporates elements all genres, bringing together countless percussion sounds, alluring woodwinds and strings, glimmering sound effects, and occasional vocals for an otherworldly, peaceful vibe. His carefully crafted ambient soundscapes are almost hypnotic in a way, luring the listener deeper into the heart his music.
Tor is one the featured artists on the lineup Costa Rica’s burgeoning , set to take places on the beaches and jungles Uvita Feb. 22-25. His inaugural sunrise set at the festival is guaranteed to truly evoke the vibe that Envision is built around: a celebration dedicated to awakening the human potential.
We caught up with the Vancouver producer ahead his Envision performance to hear about his style, forthcoming album, and the state today’s music world.
How would you describe your music in three words to someone who’s never heard it?
Nighttime driving music
What do you draw inspiration from?
Inspiration never shows up when you think it will, I’m always writing little ideas in my notes when they come out nowhere, or rhythms and patterns I’ll beatbox into my phones audio recorder and work on them when I get home to my music setup. I know I’m probably onto something when I start looping the sounds and pacing around the room.
What artists have inspired you the most over the years?
My tastes have changed a lot over the years. Back in the day I loved and and a lot ’90s hip-hop and ninja tune stuff and it’s shifted a bit into where I’m at today and is always changing. Lately I’ve been loving , , , , and all my homies at like Edamame, and .
What is your songwriting process like?
I spend a lot time digging through old albums to find textures or sounds to sample, organizing my sound library, playing with synths, listening to music I love for inspiration. I sort write and mix the music as I go along and a lot it is just throwing things at the wall until something sticks. Finished songs might only have two or three main elements, but you don’t hear all the other sounds or ideas that didn’t make it.
How has your style evolved from to your forthcoming album?
I had wanted to make my first album for a long time and I feel like a lot it was inspired by my early influences and where I came from, sort looking backwards and paying tribute to that. My newer stuff is more looking forward, influenced by what’s happening now and where music is going, still incorporating that old sample aesthetic, but how it might sound in 2018. I’ve been more a fan synths lately too, and faster tempos with subtler rhythms.
What are you looking forward to most about Envision? What can we expect from your set?
I’m so excited about Envision. It has been on my bucket list for years. To have like-minded music lovers come together in such an amazing location, on the beach and in the jungle with so many talented artists and performers. I believe I am playing the closing set the festival on Monday morning, so that’s a crazy honour. I’ll be playing all my own music and remixes I’ve made plus some new and unreleased stuff.
What are you most excited about in the music scene right now?
I love that with the advances in technology the past few years that anyone can create world-class music and millions can have access to it. People are inspired and ideas can form and spread so easily and its showing with so much good music coming out and people supporting it.
What’s coming up for you in 2018?
I’m stoked to be playing some amazing festivals for the first time this summer including Envision and and a few others that haven’t been announced yet. Also supporting Emancipator at will be a major milestone for me. Between that I’m spending a lot time finishing up my new album and digging for new music to continue my .
Featured photo by Brandon Artis Photography